1. BOOKS: Conversations with Arrau (hardcover by Knopf, 1982; paperback by Limelight Editions, 1984, revised 1992; new edition by Dover Publications, 1999; also published in French, German, Italian, Spanish, and Japanese); winner of an ASCAP-Deems Taylor Award for excellence in writing on music. Understanding Toscanini: How He Became an American Culture-God and Helped Create a New Audience for Old Music (hardcover by Knopf, 1987; paperback by University of Minnesota Press, 1988, by University of California Press, 1998; also published in Italian and Japanese). Named one of the most distinguished books of 1987 by the National Book Critics Circle, also by Publisher’s Weekly. The Ivory Trade: Music and the Business of Music at the Van Cliburn International Piano Competition (hardcover by Summit Books, 1990; paperback by Northeastern University Press, 1991; also published in Japanese). Wagner Nights: An American History (hardcover by University of California Press, 1994; paperback by the University of California Press, 1998). Winner of the 1996 Irving Lowens Award, given by the Society for American Music. The Post-Classical Predicament: Essays on Music and Society (hardcover by Northeastern University Press, 1995). Dvorak in America: In Search of the New World  (Cricket Books, 2003 – for young readers). Classical Music in the United States: A History of its Rise and Fall (Norton, 2005). “Magisterial” – The Economist. Artists in Exile: How Refugees from War and Revolution Transformed the American Performing Arts (HarperCollins, Spring 2008). Fin-de-Siecle: Six Portraits from America's Gilded Age (in preparation). 2. PARTS OF BOOKS, REFERENCE BOOKS: Jack Sullivan (ed.), Words on Music (1990) Barry Millington and Stewart Spencer (eds.), Wagner in Performance (1992) Michael Beckerman (ed.), Dvorak and His World (1993) Ralph Locke and Cyrilla Barr (ed.), Cultivating Music in America: Women Patrons and Activists since 1860 (1998) John Ardoin (ed.), The Philadelphia Orchestra: A Century of Music (1999) Dieter Borchmeyer (ed.), Wagner and the Jews (2000) The New Grove Dictionary of Opera: articles on “Theodore Thomas” and “Anton Seidl” (1992) The Grove Dictionary of Music: articles on “Boston” (co-author), “Anton Seidl,” “Henry Krehbiel,” etc. (forthcoming) The Oxford Companion to American History: articles on “Classical Music,” “Theodore Thomas,” “Leonard Bernstein,” “Theodore Thomas” The Encyclopedia of New York State: articles on “Classical Music,” “Leonard Bernstein,” etc. (forthcoming) 3. ARTICLES (selected list): For The New York Review of Books: “The Teachings of Leonard Bernstein” (June 10, 1993) For The Times Literary Supplement: Numerous book reviews (1997-present) and the following major essays (3,000-plus words): “Nothing Approaching Caricature: Wagner and the Jews” (Aug. 21, 1998) “The Imp of the Perverse: Mahler in New York” (Jan. 8, 1999) “Plain fare from the Farm House: The self-conscious restraint of Aaron Copland” (Sept. 16, 2005) For American Music: “Sermons in Tones: Sacralization as a Theme in American Classical Music” (Fall 1998) Guest editor/principal author for forthcoming issue: “Musical Boston Reconsidered” For The American Scholar: “Schubert at 200” (Summer 1997) “Otto Klemperer” (book review  – Spring 1997) For The Musical Quarterly: “The Transformations of Vladimir Horowitz (Fall 1990) “Mozart as Midcult: Mass Snob Appeal“ (Spring 1992) “Finding a ‘Real Self’ – American Women and the Wagner Cult of the Late Nineteenth Century” (Summer 1994) For 19th Century Music: “Theodore Thomas” (book review – Spring 1991) For The Journal of the Gilded Age and the Progressive Era: “Music and the Gilded Age: Social Control and Sacralization Revisited” (October 2004) For The Magazine of History:  “Dvorak and the Teaching of American History” (July 2005) For Wagnerspectrum:  “Of Swimming and Dancing: A Seminal American Ring” (vol. 2, 2006) 4. NEWSPAPER REVIEWS AND ARTICLES: More than 750 concert reviews for The New York Times (1976-1980) More than 100 feature articles and “Classical View” columns for The New York Times’ Arts & Leisure Section (1976-present) Book reviews for The Wall Street Journal and The Los Angeles Times Book Review 5. PROGRAM BOOKS (selected list): For the 92nd Street Y, program notes for more than 500 concerts (1981-1992); booklets on Beethoven’s piano sonatas (19 pp.) and string quartets (15 pp.). According to Peter G. Davis in New York Magazine (1990): “Joseph Horowitz’s extensive, informative, and elegantly written program notes are unquestionably the best in town.” For the Schubertiade at the 92nd Street Y, program annotator; editor/principal author of 7 program books (41 to 92 pp.) (1987-1994) For the Brooklyn Philharmonic Orchestra, program annotator; editor/principal author of 6 program books: “From the New World” (57 pages), “The Russian Stravinsky” (68 pages), “American Transcendentalists” (56 pages), “Orientalism” (40 pages), “The Virgil Thomson Centenary” (72 pages), “Flamenco” (36 pages) “Reclaiming the Past: Musical Boston a Century Ago,” editor/principal author of 28-page program book for the 1999 New England Conservatory Spring Festival “The Symphonic Wagner: An American Tradition,” editor/author of 28-page program book for the New Jersey Symphony Winter Festival (1999) “Re-Encountering Rachmaninoff,” editor/author of 38-page program book for the New Jersey Symphony Winter Festival (2000) “Music Since World War I: A New Topography,” editor/author of 48-page program book for the Brooklyn Philharmonic (1999)