Furtwangler and Shostakovich: Bearing Witness in Wartime
Furtwangler in Wartime
The Best of the “Black Symphonies”
Allan Bloom, Identity Politics, and “Closed Minds”
JFK’s Cold War Cultural Dogma — and Where It Came From
“Best of the Year” — The Gamelan Experience: From Debussy to Lou Harrison
“Pique Dame” at the Met — and at the Bolshoi
America’s Forbidden Composer: Take Two — Listening to Arthur Farwell
Porgy — Take Four
America’s Forbidden Composer
Solomon Volkov on Stalin and Shostakovich
Is Porgy a “Stereotype”? — Take Three
Is Porgy a “Stereotype”? — Take Two
Why “Porgy and Bess” and the Met Need One Another
Why Did American Classical Music “Stay White” — Take Two
Why Did American Classical Music “Stay White”?
What Happened Between Vladimir Horowitz and George Szell?
Busoni, Kandinsky, Schoenberg — Instinct at the Cusp
Harry Burleigh and Cultural Appropriation – Take Two
“Heedlessly Controversial” — Remembering Oscar Levant